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Monday, March 31, 2008

Reuben Awards: The National Cartoonist Society 2008

I have just been informed that PREPARE TO BOARD! has been nominated in the Book Illustration category in the National Cartoonist Society's REUBEN awards.

The NCS is America's oldest cartoonists' organization. The Reuben is named after founder Rube Goldberg --who is famous for creating the Rube Goldberg Machine, Rube, ironically enough, was unable to win his own award for the machines, or for any of his comics. He won, instead, for a brilliant political cartoon that can be seen here (scroll down to "Peace Today")

I was particularly chuffed at being nominated in the same group as the wonderful illustrator Sandra Boynton.

Here are the category nominees:

and here are pictures of last year's Reubens, including one of the grand statue itself (designed by Rube Goldberg)

Al Jaffee of MAD magazine is one of the three finalists for the grand award, the REUBEN itself.

As luck would have it, the New Orleans party falls on the same weekend I am moving to Canada, so unfortunately I won't be able to attend. It's an honor to be nominated, though.

Update: Lynn Johnston has graciously agreed to make the acceptance speech in the event that PREPARE TO BOARD! wins. I asked her just to thank everyone.

Mr. Fun's Blog

Floyd Norman, who was rechristened Mr. Fun by cartoonist Scott Shaw! and Charlie Grosvenor
has a new blog.

It's called MR. FUN'S BLOG. Originally Floyd called it something else, but I and a few others said it couldn't be called anything else. Floyd simply IS "Mr. Fun."

He's also one of the few survivors from Disney's Golden Age. Floyd's animation 'editorial' books include FASTER! CHEAPER!, SON OF FASTER! CHEAPER! and HOW THE GRINCH STOLE DISNEY. Michael Eisner once ordered Floyd to stop drawing caricatures of him! How cool is that? (You can buy the books through
Read Mr. Fun's Blog. It's good.

Tuesday, March 18, 2008

Death (and Resurrection) of an Animation Desk

I always wanted a Disney "Mighty Wurlitzer" animation desk. These were built in 1939 for the new studio in Burbank, and they were a real status symbol for those of us at Features fortunate enough to have one in our offices. (This was a political issue, by the way, but more about that later.) They looked so solid and permanent. They also were considerably better designed than the "Florida desks" made for the second Disney feature animation unit. These were smaller, which was not a bad thing, but their shelves tapered upward until there was nothing but a two inch ledge at the top suitable to hold nothing more than a flower vase or (in the case of one Catholic animator) a vial of Lourdes water.
When I worked at Disney I had the smallest office in the Hat Building, and a Florida desk. One day I had my door open. A Mighty Wurlitzer, disassembled (they were modular) was being pushed by on a dolly. "He's already got one. This goes back to the warehouse," the men were saying. I popped out of the door and said, "No it doesn't go back to the warehouse! It goes in here!"
And yes, I was given permission to have the desk installed. If you read my interview on the AWN from 1997, I'm sitting in front of it. What a marvellous piece of furniture it was.
Well, they weren't available for sale--at least not then--and so I decided to hire a carpenter to make me a Wurlitzer of my own. This was easily done. I then drew up blueprints based partly on my office desk and partly on an inker's model owned by animator Mark Kausler. This was much smaller than the six foot long Wurlitzer and it might have made more sense to duplicate it entire, but I wanted a Wurlizter and so I was going to get one.
The changes were small but significant: I widened the desktop on my blueprints so that the new, huge exposure sheets we were using would fit well. I also added the 'ears'--very nicely made cork boards on hinges for model sheet and other displays.
Three of these were built. Two other Disney artists made arrangements to have them constructed, which brought the price down a bit. Interestingly enough since the hole for the disc was off center, the desk could be right-or-left handed. Both of the other animators were southpaws, so I got the only right handed model.
It paid for itself within the year, but another problem arose. It was never designed to be repeatedly disassembled and hauled around the country. It also did not fit through a standard door; another modular bit had to be built so that the top shelf could be removed to fit through the door (and pegs held it together.)
Now I'm moving to Canada and the apartment simply doesn't have a large enough second bedroom for the Wurlizter and a computer desk/printer arrangement.
So I decided, after months of agonizing, that it wasn't worth it; this wasn't, after all, a real Disney desk, but one that I built. It was and is a useful desk. Part of it still is. I'm taking the top and the 'ears' with me, and I'll make a truly modular desk out of metal shelving, attaching the top to it with hooks. It's easy to do, sturdy, and doesn't even require a blueprint. Best of all I can add all the shelves I like, and I have decided I need a U shaped model that wraps around, rather than a six foot long model that takes up most of the room.
Most importantly, I can put it together myself. I am able to get the top and the 'ears' off the Wurlizter, but I can't budge the shelves. This is a problem when you are doing everything by yourself during a move.
My decision isn't completely final; at this writing, the desk is still sitting in the office, with the top and ears packed in boxes. I could change my mind. But probably I won't. Times have changed and I now do most of my work on the computer. I have a small portable animation desk that adequately handles the 12 field paper that newer Toonboom and Flash based projects would use. A 16 field disc might never be necessary again.
Plenty of people have worked without Wurlitzers. My friend Dean Yeagle has Preston Blair's old desk; it's nothing more than a drafting table with a hole cut in it, the same that most of us use.
Then again, maybe I could measure the top of the tabouret again. MAYBE the new printer would fit on the side. (the old one is dying and is not worth shipping to Canada.)
Perhaps the Wurlizter will survive in two pieces: the animation desktop assembled on a new metal frame, and the base used for the computer desk? Could this be possible?
As Bugs Bunny used to say...hmmmmm COULD be!
Perhaps it won't leave at all--it'll just go through a little metamorphosis.